Victoria Patterson, whose writing Vanity Fair has called “brutal, deeply empathetic, and emotionally wrenching,” returns with a new collection of stories that contains echoes of Denis Johnson and Raymond Carver, along with the emotional depth and density of Elena Ferrante.There’s a pitch-perfect blend of linguistic dexterity, emotional wisdom, and wry observation in The Secret Habit of Sorrow. The characters in these stories feel like people you know, their struggles real. Victoria Patterson’s prose has a Denis-Johnson refiltered-through-Raymond-Carver-vibe, along with the emotional depth and density of Elena Ferrante. Whether it be the ties between women and their own and each other’s infants, the struggles of parenthood, or the trials that come with excessive drinking and drug abuse, Patterson has an amazing ability to convey relationships and how our bonds can both save and destroy us. Her previous collection of stories, Drift, was a finalist for the California Book Award and the Story Prize, and was selected as one of the best books of 2009 by The San Francisco Chronicle.
The Secret Habit of Sorrow
List Price: $16.95
VICTORIA PATTERSON is the author of the novels The Little Brother, The Peerless Four and This Vacant Paradise, a 2011 New York Times Book Review Editors' Choice. She lives in South Pasadena, California, with her family and teaches at Antioch University.
1 of 10 Titles to Pick up Now (O, The Oprah Magazine) "The bittersweet stories exquisitely capture fates's cruel ironies." --O, The Oprah Magazine, 1 of 10 Titles to Pick Up Now "Patterson [has a] gift for evoking emotion without ever slipping into pathos. She allows us to feel for her characters but never asks us to pity them. It's a trait she has in common with Denis Johnson, who also wrote about addiction without condescending to his characters (and who Patterson name-checks, to surprising effect, in 'Confetti') . . . Patterson's accomplished prose is all the more impressive considering her subject matter--she writes about not only addiction but about broken families, unhappy childhoods and sex with a brutal, but never mean-spirited, honesty. She's particularly gifted at writing about the mechanics of regret . . . Her characters are mostly lonely, and unsure how to relate to others, fumbling their attempts to communicate effectively. And this sense of missed connections is what makes The Secret Habit of Sorrow such a remarkable collection. Patterson's stories seldom end neatly; her characters are too real, too stubbornly human to have their problems neatly wrapped up. They're solitary, even when they're with others, and they're adrift even when they seem put together. That kind of desolation can be difficult to put in writing--it's not easy to read, and it can't be easy to write. Patterson conveys the desperation of her characters by using spare prose; every sentence has been whittled down to leave only the necessary words. It's a technique she shares with Denis Johnson, but also with Mary Gaitskill, who also has an affinity for exploring lost souls that society has essentially chosen to ignore. The Secret Habit of Sorrow is a deeply somber book, but that just serves to make the few moments of triumph all the more affecting--for some of her characters, surviving at all is a kind of victory. There's not a story in the book that's less than great; it's a stunningly beautiful collection by a writer working at the top of her game." --Michael Schaub, Los Angeles Times "Every story in it is excellent--she has an affection for characters who are either breaking or broken, and she writes about them with an empathy that's never overwrought or condescending. The themes of the stories--addiction, sex, loneliness--are fraught ones, but she does such a beautiful job writing about them with a brutal honesty that manages to be actually tender and, at times, kind of sweet. Patterson gets compared to Denis Johnson pretty frequently, but she's really a writer all her own, and she's at her best in this book." --Michael Schaub, Book Marks "Patterson demonstrates her storytelling prowess in what she leaves unsaid. Rather than write the trauma . . . she lets the characters' reactions and the trajectories of their lives communicate what she does not explicitly describe . . . Patterson has a flare for endings, deftly avoiding tying her stories into tidy, saccharine bows, but neither are they crushingly dark . . . Patterson's spare yet beautiful conclusions are ambiguous, leaving the reader with neither the complete destruction of the character nor the promise that they'll prosper." --Ploughshares "Bad choices and addiction are common here, but Patterson's unfussy prose draws the reader into her complex, sometimes even convoluted relationships . . . The beating hearts of Patterson's characters and the directness of her voice make the grim material bearable, sometimes almost hopeful." --Kirkus Reviews "Patterson excels at excavating the lighter side of her characters' otherwise sad experiences to find stories that are amusing and poignant without being overly sentimental." --Publishers Weekly "Characters are plagued by their experiences and afflictions, entangled with the need to cope alongside an urgency to break free. Dark yet assured, Patterson's short stories expose and explore the complicated ruptures of the human experience." --Booklist "[Patterson is] skilled at offering satisfying and effectively contained slices of life . . . You don't have to be a short story fan to enjoy this collection." --Library Journal "Patterson's new short-story collection paints picture-perfect portraits of pain, suffering, addiction and the complexities of parenthood in a style that calls to mind Raymond Carver and Denis Johnson but remains uniquely her own." --Alta California "Patterson is on a mission to bring our ghosts out of the shadows. These stories shine with empathy and find the humanness in all our struggles." --Joshua Mohr, author of All This Life Praise for The Little Brother "...a complex and startlingly empathetic exploration of toxic masculinity and American rape culture." --LA Weekly, Best Books of 2015 by L.A. Writers "In The Little Brother, Victoria Patterson focuses her unflinching eye on the dark heart of American male privilege. With empathy and dazzling skill, she illuminates an unspeakable crime and the depraved culture that made its reality not only possible, but inevitable. This is an important novel, both terrifying and redemptive, and another reminder that Victoria Patterson is one of our most fearless writers." --Jim Gavin, author of Middle Men "A brutal, deeply empathetic, and emotionally wrenching examination of American male privilege and rape culture." --Vanity Fair "Victoria Patterson is a capable and canny writer, and she would have to be to take on the subject of her newest novel, The Little Brother, and produce so arresting and haunting an experience." --The New York Times Book Review "Patterson's well-crafted novel explores a dilemma as old as time: Where is the moral ground when family loyalty and the law become opposing forces?...Patterson turns a gimlet eye on this age-old predicament and imbues it with gripping twenty-first century relevance." --Booklist "The Little Brother takes on a real-life situation from the headlines, but Victoria Patterson etches it into fiction--the sad and scary kaleidoscope of family, loyalty and betrayal." --Susan Straight, author of National Book Award Finalist Highwire Moon "As with many a real-life disaster story, The Little Brother begins with just the slightest tug of something not-quite-right and in practically no time we find ourselves in a dangerous, stomach-churning conflict between decency, loyalty, truth, lies, the good life, and the not-so-good one. Patterson has chosen to tell her unsettling tale through Even, the brother of a man accused of rape, and the ordeal for his own flawed family and his brother's victim turns out to be unfailingly horrifying, heartbreaking and, of all things, unexpectedly humane." --Jim Krusoe, author of Parsifal Praise for Drift Finalist for the California Book Award and the Story Prize
Selected as one of the best books of 2009 by The San Francisco Chronicle
Ranked among the 10 Quintessential Books about Orange County, Orange Coast Magazine
Ranked #4 for 10 Best Books Set in Orange County by The OC Register "Set against the affluence of Newport Beach, Patterson's debut collection often focuses on the enclaves- outcasts, waitstaff, divorcées, alcoholics, and drug addicts-as her characters confront personal battles, the limits of friendship, and the bleary anticipation of a different life. Patterson's 13 engaging tales offer keen perspectives on life lived on the fringe." --Booklist "Patterson's unflinching account of the seedy side of a real-life Xanadu is frightening, immersive, and wonderfully realized." --Publishers Weekly (starred review) "Drift is one of the truest depictions of Southern California I've read yet. Set fifty miles south of Los Angeles, amidst the rampant materialism and manicured malls of Newport Beach, Patterson depicts characters simultaneously at odds with, and in sync with, the cultural void around them. This work is subtle, honest, and a great pleasure to read." --Danzy Senna "Victoria Patterson's Newport Beach is a privileged world of wealth and heedless consumption that trails a wake of human damage. By giving us nuanced portraits of the sidelined, she somehow evokes the complex, glittering whole. Patterson is our generation's heir to John O'Hara and Edith Wharton. And nobody else writes about female sexuality with such sensitivity and fearlessness. Several times, I had to put this book down just to catch my breath." --Michelle Huneven, author of Jamesland and Round Rock "Ms. Patterson has enormous talent and I suspect we'll be hearing a lot more from her." --James Lee Burke, author of The Neon Rain "If I could write just a single story as beautiful and sad and intelligent as the thirteen linked together in Drift, I'm pretty sure that I could die a happy man. Victoria Patterson makes me envious as hell, and I applaud her for it." --Donald Ray Pollock, author of Knockemstiff Praise for The Peerless Four "A fascinating story....Patterson mates genres--sports and period fiction--and the result is surprisingly rich and resonant....the author not only transcends categories but creates something poignant and memorable." --Publishers Weekly "Stirring historical fiction and a great choice for book clubs." --Booklist "The Peerless Four is a fascinating exploration of a little known chapter in sports history. With gorgeous, restrained prose and a crystalline eye for detail, Victoria Patterson takes us on a thrilling journey of long odds and unbreakable spirit." --Maria Semple, author of Where'd You Go, Bernadette "The grittiest, booziest, toughest sports novel I've read in recent years is written by a woman--about women! In The Peerless Four, Patterson compels and entertains with prose perfectly fitted to this lean, surprising, unsentimental tale of female Olympiads in the late 1920s." --Jonathan Evison, author of The Revised Fundamentals of Caregiving Praise for This Vacant Paradise "Patterson beautifully parses the consequences of one woman's fall in this memorable, penetrating, fully achieved novel." --The New York Times Book Review "Patterson writes with the exuberance of a natural storyteller. Her cast is rich, her narrative sinuous and masterfully structured." --San Francisco Chronicle "With echoes of a modern-day House of Mirth, Patterson's elaborate tale examines the complexities and contradictions of society, family, and personal desire." --Booklist "Considering the subject matter-the real housewives of Orange County-Patterson's debut novel (after story collection Drift) is surprisingly sophisticated and nuanced. In debt and unmarried, Esther Wilson works at a clothing boutique and lives with her wealthy grandmother, Eileen, whose financial generosity is orchestrated to 'encourage dependence.' Terrified of poverty, Esther is in the midst of securing a proposal from an unattractive but wealthy heir, but she blows it. Enter ex-boyfriend Charlie Murphy, who, though from a well-off family, is a liberal-minded sociology professor at the local community college, and therefore an object of Eileen's derision. Charlie takes it upon himself to emancipate Esther from the chains of vapid privilege, but with a huge inheritance imminent for him and nasty gossip circulating about Esther, Charlie's lefty enlightenment dims. As an acerbic commentary on mid-'90s Southern Californian excess, the novel walks a fine line between critic and unintentional participant--commentaries on the retrograde position of Orange County women jostle against... physical description--though Patterson's Southern California has echoes of Nathanael West and early Bruce Wagner." --Publishers Weekly "This Vacant Paradise is that truly rare thing, a first novel that arrives with its writer working at the height of her intellectual gifts and creative powers." --Jane Vandenburgh, author of Architecture of the Novel and A Pocket History of Sex in the Twentieth Century "This is an exceptional novel, populated by several memorable and deftly rendered characters, each presented with nuance and compassion. Patterson taps deeply into their humanity, and the outcome is striking and dark." --Michael Jaime-Becerra, author of This Time Tomorrow "This Vacant Paradise is an enthralling reinterpretation of The House of Mirth that reminds us that there are contemporary Lily Barts. Esther Wilson--what a character! Her sense of integrity and her desire for love are so understandable, yet they continually bring her into conflict with her materialistic family and acquaintances in Newport Beach. Has the last hundred years of advances in women's rights made a difference to the woman raised to marry for money? Victoria Patterson asks this fascinating question, and the answer makes for a completely engaging novel." --Alice Elliott Dark, author of Think of England and In the Gloaming