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The Widow Nash

A Novel

List Price: $16.95

May 8, 2018 | Paperback | 5-1/2 x 8-1/4, 384 pages | ISBN 9781640090361
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Winner of the 2017 Reading the West Award

A New York Times Book Review Editors’ Choice

“What keeps you reading is not just the quality of the writing, which is just absolutely wonderful, but also to find out: Is [Dulcy] going to [remake herself]? Can this be successful? Or is she going to be found out?” ―Nancy Pearl, Morning Edition, NPR

Dulcy Remfrey has traveled the globe with her eccentric father, Walton, a wealthy entrepreneur obsessed with earthquakes and catastrophe, searching to cure his long battle with syphilis through any crackpot means necessary. Their deep connection is tested, however, when Walton returns from an African expedition without any of the proceeds from the sale of his gold mine. It seems he’s lost his mind along with the great sum of money, his health declining rapidly. Her father’s business partner (and her ex–fiancé) insists Dulcy come to Seattle to decipher her father’s cryptic notebooks—a dozen in all, wrapped in brightly colored silk—which may hold clues to the missing funds. Yet when her father dies before they can locate the money, Dulcy falls under suspicion. Petrified of being forced to spend the rest of her life with her ex–love, Dulcy decides to disappear from the train bringing her father’s body home.

Is it possible to disappear from your old life and create another? Dulcy travels the West reading stories about her presumed death and settles into a small Montana town where she is reborn as Mrs. Nash, a wealthy young widow with no burden of family. But her old life won’t let go so easily, and soon her ex–fiancé is on her trail, threatening the new life she is so eager to create.

The Widow Nash is a riveting narrative, filled with a colorful cast of characters, rich historical details, and epic set pieces. Europe in summer. New York in fall. Africa in winter. The lively, unforgettable town of Livingston, Montana. And in Dulcy, Jamie Harrison has created an indelible heroine sure to capture the hearts of readers everywhere.

“This gorgeously written historical novel follows Dulcy, a young woman in 1904 who attempts to flee her late father’s business problems―and her violent ex–fiance’s grasp―by traveling west and posing as a wealthy widow.” ―Entertainment Weekly

About Jamie Harrison

Jamie Harrison, who has lived in Montana with her family for more than thirty years, has worked as a caterer, a gardener, and an editor, and is the author of The Center of Everything, The Widow Nash, and the four Jules Clement/Blue Deer mysteries: The Edge of the Crazies, Going Local, An Unfortunate Prairie Occurrence, and Blue Deer Thaw. She was awarded the Mountains & Plains Independent Booksellers Association Reading the West Book Award for The Widow Nash, and was a finalist for the High Plains Book Award.

Praise for The Widow Nash

Winner of the 2017 Reading the West Award

"This novel from the daughter of Jim Harrison features a character set loose to wander the American West at the turn of the 20th century, a woman whose early experiences seem drawn from the worldly peregrinations of the era of Henry James. Sweeping and richly hued . . . Harrison has rendered her imagined world anachronistically, but Henry James might still have approved.” —The New York Times Book Review

“What keeps you reading is not just the quality of the writing, which is just absolutely wonderful, but also to find out: Is [Dulcy] going to [remake herself]? Can this be successful? Or is she going to be found out?” —Nancy Pearl, Morning Edition, NPR

“This gorgeously written historical novel follows Dulcy, a young woman in 1904 who attempts to flee her late father's business problems—and her violent ex–fiance's grasp—by traveling west and posing as a wealthy widow.” —Entertainment Weekly

“Debut novelist Harrison paints a lovely and memorable portrait of a desperate woman's flight to a new life . . . Harrison's lead is a strong and clever woman who is easy to admire, while the rest of the heroes, villains, and ambiguous sorts are as vividly drawn as the raw and terrible scenery of Montana. Readers will treasure Harrison's rich characterization and sharp turns of phrase.” —Publishers Weekly, Starred and Boxed Review

“When Walton dies before anyone can figure out what's happened to Victor's money, Dulcy decides that her only option is to disappear. Thus, Dulcy Remfrey turns herself into the young widow Mrs. Nash. This baroque setup is nicely balanced by Harrison's prose; the narrative voice here is restrained, with just a hint of quiet irony. And there's the fact that, as fantastical as the scenario might seem, Walton Remfrey is an entirely believable Gilded Age figure...Thoughtful, richly written historical fiction” —Kirkus Reviews

“Harrison . . . writes atmospheric historical fiction featuring both drama and bizarrely entertaining humor. There are Whartonesque touches in the demarcations of society . . . A subtler comedy of errors among a quirky cast of characters.” —Booklist

“Readers prizing action above all may appreciate this Western saga by the daughter of author Jim Harrison.” —Library Journal

“I love this [book], it's so good.” —Liberty Hardy, Book Riot “All the Books!” podcast

“Jamie Harrison . . . shares a number of traits with her father [Jim Harrison]—superior storytelling skills, love of landscape, wry humor, and a knack for gorgeous writing about food. The Widow Nash reverberates with a daughter’s affection for a larger–than–life father, surely a tribute of sorts to a real–life relationship.” —Newsday

“With loads of drama (murder! theft!) and an empowering message, this guy is pretty unputdownable.” —PureWow

“[Jamie Harrison] is really great for those people who like historical novels but also like a page–turner . . . By the end you're just racing through the pages, trying to find out what happens to [Dulcy].” —MTPR's “The Write Question,” 1 of 28 Books for Everyone on Your Holiday Shopping List

“Richly descriptive, The Widow Nash is the luminous story of a woman suspended between two worlds, one promising, the other catastrophic.” —BookPage

“This is a rich and interesting story about a young woman in America in the early 20th century who takes her life in her own hands and makes the decision to choose herself rather than succumbing to what is expected of her . . . I cannot imagine a reader who wouldn't be entranced by her story.” —Historical Novel Society

“With The Widow Nash, Jamie Harrison breathes fresh life into a fascinating period of American history. Indeed, the past has not passed. An adventurous, ambitious, inventive novel by a writer to relish.” —Colum McCann, winner of the National Book Award for Let The Great World Spin

“This deliciously ambitious novel delivers one memorable character after another. None is more magnetic than the 'Widow Nash' herself, a fabulous heroine and irresistible travel companion. Jamie Harrison is a clever, gifted writer, and this shining book is flat–out terrific.” —Carl Hiaasen, New York Times bestselling author of Razor Girl

“With Technicolor, vibrant prose, Jamie Harrison's novel The Widow Nash re–invents the Western from a feminist perspective; from the first page, the fierce Dulcy brings the reader into her unforgettable world. A novel as wildly original and memorable as the West itself.” —Karen E. Bender, author of Refund, a Finalist for the National Book Award

“If an Edith Wharton heroine had decided to ditch the bustles and the propriety and simply lit out for a fresh start in the Territories, she might have called herself The Widow Nash. Jamie Harrison has turned her formidable talents to breathing life into just such a creature, with astonishing results. Not only do we get a pitch–perfect evocation of a prior time, but a subtle reworking of America's great central myth—and its inheritor, Dulcy Remfrey, is so well rendered as to make you forget you're reading about any particular era at all. That's the mark of greatness.” —Malcolm Brooks, author of Painted Horses

“From the profoundly generous and encyclopedic mind of Jamie Harrison comes a compelling novel of reinvention and the seismic sacrifices we make for difficult family. Every page contains a new historical and emotional discovery. Harrison is a true original, and she gives us a father–daughter love story for the ages.” —Sheri Holman, author of the New York Times bestseller The Dress Lodger

“A languid yet intriguing read . . . Harrison has debunked the idea that women in the early 1900s had no control over their lives and only looked to men for direction and happiness. There is a love story but it is not standard, and Dulcy certainly isn't dependent upon a man to rescue her. All of the characters have the kind of quirks that feel natural to the reader. No one character is perfect, and Harrison shines at creating a cast of friends and associates that I would happily spend an evening drinking and chatting with . . . Harrison is artful in her writing and most of the events influence the plot in important ways . . . The Widow Nash delivers an excellent story. Harrison has crafted an atmospheric historical novel with original characters for readers to enjoy. Her writing is sophisticated and quick witted, ideal for a pleasurable summer read.” —The Missoulian

“Depth and breadth of awareness are the hallmarks of the new novel, The Widow Nash . . . An exceptional literary feat . . . From start to finish we are treated to her splendid observations and memories—product of Harrison's astonishing pen—the trips, sights, people, disasters and miracles she has encountered across the world. By the close we are given to see Dulcy address what she has most regretted losing, not the riches, perhaps, but a life hers to live.” —Livingston Enterprise

Praise for The Edge of the Crazies

“A madly original debut.” —New York Times Book Review

“I absolutely loved it.” —James Crumley, author of The Last Good Kiss

“Blue Deer, Mont., cradled between the Absaroka and the aptly named Crazy mountain ranges, makes a fine setting for this debut mystery that is by turns side–splitting and dark.” —Publishers Weekly

Praise for Going Local

“You haven't been West in any meaningful way until you've been to Blue Deer, Montana.” —The New York Times Book Review

“Blue Deer is a fine place to visit; repeat trips are in order.” —Washington Post Book World

“Going Local is stylish, tight and shrewd, a splendid second effort that's original, quirky and thoroughly enjoyable.” —Rocky Mountain News

“As in her first mystery, The Edge of the Crazies, Harrison mingles dark and (sometimes strange) comic elements to good effect. She is a dab hand at creating an assortment of characters, tossing them together, giving them something to squabble over and setting them loose and if some end up dead, well, that just gives droll, intelligent Jules a way to earn his keep.” —Publishers Weekly

“Harrison's sequel to The Edge of the Crazies begins with a double murder near the small Montana town of Blue Deer. Sheriff Jules Clement, not exactly a gung–ho lawman, nevertheless feels compelled to track down the ex–con and woman–abuser probably responsible. The investigation involves detailed and wryly humorous analysis of the locals and often nefarious dealings with a fancy new resort development. The plot progresses intimately, in a manner reminiscent of television's Northern Exposure. Recommended.” —Library Journal

“And as in Harrison's toothsome debut, there's a double helping of zany locals, strewn across the landscape like so many jumping beans... this second helping of Blue Deer madness will keep you cheering Absaroka County's status as Montana's murder capital while you're waiting for the franchise's next move.” —Kirkus Reviews

Praise for An Unfortunate Prairie Occurrence

“Harrison [allows] us to linger in Blue Deer long enough to learn its history, drink in the scenery and laugh at the kinks and quirks of its idiosyncratic residents... the place is heaven.” —The New York Times Book Review

“The third and best of Jamie Harrison's laconic Montana mystery novels.” —Time

Praise for Blue Deer Thaw

“The fourth book in the Blue Deer series is another gem.” —The Washington Post

“Lively, hilarious...not to be missed by devotees of good writers with an exquisite sense of humor.” —Kirkus Reviews

“Her strong suits include witty prose [and] bone–dry humor...Blue Deer Thaw is a delight.” —Seattle Times

“This warm and witty look at an amazing assortment of characters ought to popularize a certain corner of Montana; highly recommended.” —Library Journal

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