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The Guy Davenport Reader

By Guy Davenport, Afterword by Erik Reece

List Price: $30.00

July 16, 2013 | Hardcover | 6.1 x 9.1, 421 pages | ISBN 9781619021037
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“The difference between the Parthenon and the World Trade Center, between a French wine glass and a German beer mug, between Bach and John Philip Sousa, between Sophocles and Shakespeare, between a bicycle and a horse, though explicable by historical moment, necessity, and destiny, is before all else a difference of imagination.
The imagination is like the drunk man who has lost his watch, and must get drunk again to find it. It is as intimate as speech and custom, and to trace its ways we need to re-educate our eyes.”–Guy Davenport

Modernism spawned the greatest explosion of art, architecture, literature, painting, music, and dance of any era since the Renaissance. In its long unfolding, from Yeats, Pound and Eliot to Picasso and Matisse, from Diaghilev and Balanchine to Cunningham and Stravinsky and Cage, the work of Modernism has provided the cultural vocabulary of our time.

One of the last pure Modernists, Guy Davenport was perhaps the finest stylist and most protean craftsman of his generation. Publishing more than two dozen books of fiction, essays, poetry and translations over a career of more than forty years, he was awarded a MacArthur Fellowship in 1990. In poetry and prose, Davenport drew upon the most archaic and the most modern of influences to create what he called “assemblages”–lush experiments that often defy classification. Woven throughout is a radical and coherent philosophy of desire, design and human happiness. But never before has Davenport’s fiction, nonfiction, poetry and translations been collected together in one compendium. Eight years after his death, The Guy Davenport Reader offers the first true introduction to the far-ranging work of this neglected genius.

About The Authors

ERIK REECE is the author of four books of nonfiction, including Utopia Drive: A Road Trip Through America's Most Radical Idea and Lost Mountain: A Year in the Vanishing Wilderness, which won the Columbia School of Journalism John B. Oakes Award for environmental writing. He teaches writing and literature at the University of Kentucky.

GUY DAVENPORT (1927-2005) was born in South Carolina and lived for more than forty years in Lexington, Kentucky, where he died in 2005. The author of more than twenty books, including The Geography of the Imagination, Eclogues, and The Death of Picasso, he was also a distinguished professor at the University of Kentucky and a MacArthur Fellow in 1990.

Praise
"Guy Davenport seems comfortable in any genre... For whatever else he is, Davenport is an entertainer ... to the point of being able to take literary dullards like Kafka and Poe and turn them, too, into charming entertainers."RALPH

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