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Coast Range

A Collection from the Pacific Edge

List Price: $16.95

November 14, 2017 | Paperback | 5.5 x 8.25, 200 Pages | ISBN 9781640090132
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"Neely capably explores the complexity of his subjects with polish and finesse, looking carefully and thinking deeply." —Kirkus starred review

Coast: the edge of land, or conversely the edge of sea. Range: a measure between limits, or the scope or territory of a thing. Coast Range, the debut collection of essays from writer Nick Neely, meticulously and thoughtfully dwells on these intersections and much more. The book’s title refers to the region in which these essays are set: the California and Oregon Coast ranges. In deeply moving prose equal parts exhilarating and pensive, each essay explores an iconic organism (a few geologic), so that, on the whole, the collection becomes a curiosity cabinet that freshly contains this pacific Northwest landscape.

But “Coast Range” also alludes to the playful range of forms Neely employs. Just as forest gives way to bluff and ocean, here narrative journalism joins memoir and lyric essay. These associative and sensuous pieces are further entwined by the theme of “collecting” itself — beginning with a mediation on the impulse to gather beach agates, a semiprecious stone. Another essay follows the journey of salmon from their “collection” at a hatchery through a casino kitchen to a tribal coming-of-age ceremony; a third is a flitting exploration of hummingbirds. Neely documents, in vivid detail, his six-month stretch of living off the grid along the Rogue River, which ignited his healthy obsession with Oregon. In Coast Range, Neely fashions a kaleidoscopic group of essays, of which the overarching curiosity is the transient, but finally transcendent, nature of the world we live in.

NICK NEELY grew up in Portola Valley, California, where he spent his youth roaming the oak, chaparral, and redwoods of the Santa Cruz Mountains. His essays, articles, and poems are published or forthcoming in Kenyon Review, The Threepenny Review, The Georgia Review, The Southern Review, The Missouri Review, Harvard Review, FIELD, Ninth Letter, Ecotone, River Teeth, Orion, and Mother Jones. He lives in Hailey, Idaho, with his wife, the painter Sarah Bird.

Praise

“Finely tuned essays that vary intriguingly in form and tone . . . Neely capably explores the complexity of his subjects with polish and finesse, looking carefully and thinking deeply.” —Kirkus, Starred Review

“Neely’s fascination with a huge swath of the Pacific Northwest coastal range is evident in this quiet essay collection that focuses on small details described in carefully studied prose . . . This is the sort of introspective writing that will appeal strongly to readers seeking to gain a deeper appreciation of their environment, and those with curiosity about or longing for the region he knows so well. Neely clearly spent a lot of time watching and listening, both to the people and animals that call the area home, and his observations have real staying power.” —Booklist

“Welcome a strong new voice for the silver beaches, pine forests, and shining rivers of the Pacific Northwest. Like the agates in his pockets, Nick Neely’s essays are highly polished – translucent, but shot through with hard veins of natural science.  Imagine Wallace Stegner in conversation with Ed Ricketts, when they are both young and still astonished. Then you can begin to understand the creativity, the power, the beauty, and the fun of Coast Range.” —Kathleen Dean Moore, author of Great Tide Rising

“A well-timed debut that transports readers to the coastal ranges of California and Oregon and fully immerses them in the natural and cultural history of the Pacific Northwest’s cobbled beaches, ice-cold rivers, pine canopies, and layered forest floors . . . Neely’s skill with language is evident throughout. What makes Neely’s collection so compelling is the detail, his artful engagement of our senses to feel the weight of the agate, taste the flake of the fish, trace the letters carved into the madrone trees, and then smell the sour decay of atonement and fall in love with this place.” —Orion

“Neely seems blessed with such abundant gifts that he could, and does, stretch past the unfair confines of ‘nature writer’ at times, to reach out to anyone and everyone .  . . . The thoughts and sentiments within his pieces deserve a wide audience.” —DIAGRAM

“In Nick Neely’s new book, Coast Range: A Collection From the Pacific Edge, he aptly captures that childlike sense of wonder about the natural world . . . the essays are just as pleasant to read for his meticulously arranged prose and artfully crafted imagery as they are for their educational qualities.” —Idaho Mountain Express

“Neely poetically and introspectively guides our attention to things we might not notice or might not know, his curiosity and wonder driving each story along with his splendid powers of observation, plus a bit of research . . . Each piece feels like an adventure, an opportunity to appreciate the world, a tiny mystery solved.” —Missoula Independent

“I don’t know if “God is in the detail,” as the saying goes, but I think much of nature is.  Nick Neely’s Coast Range is an erudite, eloquent demonstration of that, from the vividly evoked details of ancient mollusks scraping their way into rocks to those of even more ancient fungi lacing themselves into tree roots.  And it deftly connects “the detail” in unexpected ways: our appetite for mushrooms and the origins of our languages; Anna’s hummingbirds and modern history. Neely’s vigilant, wry commentaries on his native patch of the west coast are not only in the tradition of Thoreau’s Walden but in an older and wider one that he shares with Thoreau: what Thoreau calls “the great-dragon Tree” of mythic vision that is associated with Homer and Sophocles but also lives in Aristotle, Herodotus, Pliny, and other classical naturalists.” —David Wallace, author of Mountains and Marshes and The Untamed Garden

“These are nature essays with a difference: the sureness and delicacy with which Nick Neely directs our attention from the miracles of the outer world to the gyroscopic peculiarities of his consciousness make for a very satisfying reading experience.” —Phillip Lopate, author of To Show and Tell and The Art of the Personal Essay

“What a superb writer Nick Neely is and just the kind of natural history observer we need in a time of fierce change. He enlivens chiton, newt, hummingbird in the sapling outside the Safeway, and more, with keen eyes and ears, quick veers of mind and syntax, and an abiding sense of the connection between the wild and the made worlds. Precise, gorgeous and imaginatively wed to both science and myth, his rendering of Coyote brings the creature smack-dab into twenty-first-century America, as soul-troubling as ever he was in myth and landscape. A fine collection to read and savor.” —Alison Hawthorne Deming, author of Zoologies and The Edges of the Civilized World

“Nick Neely is a searcher and, lucky for us, a collector as well. Coast Range is his collection, his “open-air curiosity cabinet,” full of newts, agates, madrones, mushrooms, coyote, salmon, paw prints, bones and beautiful sentences. He is a precise writer and his essays are brilliant in the shining sense. But as well as being an accurate observer of the natural world, he is an exuberant participant, and we are both pulled in and lifted up by his generous, buoyant and ever-curious spirit. An important book, and one full of life and joy.” —David Gessner, Author of All the Wild That Remains: Edward Abbey, Wallace Stegner and the American West

“I hate nature essays, but I like Nick Neely’s nature essays. That’s because while there’s nature here, he doesn’t default to reverence in the face of the sublime; he doesn’t crow about conservation or bore us with rhapsodies of trees. Instead he’s drawn to people, weirdos and obsessives like himself: homesteaders, trappers, buffet captains, game wardens, biologists, and duchesses. This book’s an obsessive and glorious cataloging of the natural world and its effects: how it changes us and is changed by us. Coast Range suggests that to look is to collect, the most noble of pursuits, and by so doing, ‘to hold, and possibly hoard, the world.’ Look hard enough and long enough at anything, he seems to tell us, and we lose ourselves, which is a kind of love. —Ander Monson, author of Neck Deep and Letter to a Future Lover

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