by Shannon Price on Feb 16, 2017

Debut author Natashia Deón, sits down with Otherppl’s Brad Listi to talk at length about her debut novel, Grace. Listen to the full interview here.

by Shannon Price on Feb 15, 2017

An excerpt of Laura Pritchett’s new novel, The Blue Hour, was published on LitHub. Read the excerpt here.

Eat Live Love Die
by Shannon Price on Feb 15, 2017

Eat, Live, Love, Die, by author Betty Fussell, is reviewed in the New York Times Book Review. Read the full review here.

by Shannon Price on Feb 15, 2017

Grace by Natashia Deón is reviewed by the Los Angeles Review of Books. Read the full review here.

by Shannon Price on Feb 10, 2017

Democracy Betrayed: The Rise of the Surveillance Security Stateby William W. Keller, is reviewed by Canada’s Winnipeg Free Press. Read the full review here.

by Shannon Price on Feb 09, 2017

KQED Forum’s Michael Krasny interviews Elizabeth Farnsworth about her new book, A Train Through Time: A Life, Real and Imagined. Listen to the full interview here.

by Shannon Price on Feb 01, 2017

EuropeNow Journal publishes an excerpt from Elena Lappin’s memoir, What Language Do I Dream In?. View the full excerpt here.

If You Are There
by Shannon Price on Feb 01, 2017

If You Are Thereby author Susan Sherman, is reviewed by the The Historical Novel Society. Read the review here.

by Shannon Price on Feb 01, 2017

Dana Johnson’s In The Not Quite Dark makes The Story Prize’s Long List for collections published in 2016. View the full list here.

by Shannon Price on Feb 01, 2017

LitHub publishes a beautiful essay on the American West by The Blue Hour author Laura Pritchett. Read the full essay here.

Joe Bonomo v2
by Shannon Price on Jan 30, 2017

1. What inspired you to write this collection?

 I’ve always been obsessed with the ways that music gets inside of you and scores your life, the way you’ll revisit the past and there’s a soundtrack of evocative songs inside of you. I’m also interested in the ways that artists create these songs that last, and in the many different ways that music gets in to our heads and hearts, and stays there, or doesn’t.

2. What are you reading right now?

 I’m working on a book about the New Yorker baseball writer Roger Angell, so I’m re-reading all his stuff again, with great pleasure. In the last year or so I got around to Carrie Brownstein’s Hunger Makes Me a Modern Girl and Jessica Hopper’s The First Collection of Criticism by a Living Female Rock Critic, both terrific. I’m also enjoying Ed Ward’s new book History of Rock and Roll, and I really liked Bruce Springsteen’s memoir.

3. What are you listening to right now?

A big, eclectic mix of rock and roll, blues, and R&B, as usual, the one-offs and the well knowns. The last two albums I bought were Ray Charles’s Modern Sounds in Country and Western Music and Ty Segall’s latest, his 645th, I think.

4. What’s the one book that you recommend to people, over and over?

 I’m always turning people on to Ian MacDonald’s Revolution in the Head, a critical history of the Beatles. His speculations bother many readers, but he had an amazing set of ears and his sentences are remarkable. Also, Joe Mitchell’s Up at the Old Hotel and Jeffrey Eugenides’s The Virgin Suicides.

5. What’s the one album that you recommend to people, over and over?

The two songs I return to again and again are the Flamin Groovies’ “Shake Some Action” and Johnny Thunder’s “I’m Alive.” I’d drive people nuts in a bar if those two songs were on the jukebox. When I need to press re-set—which is often, these days, given the climate—it’s Bo Diddley.

6. Who are some of your writer mentors? Do you find that’s changed over time as you evolve as a writer or do they remain the same?

I’m afraid that I’ll inadvertently leave someone out, but Lester Bangs and Greil Marcus were early and lasting influences. They write and think very differently, but intersect at the belief that music is an essential thread through our days. Peter Guralnick’s profiles in Lost Highway were an early and major influence. In retrospect, Roger Ebert’s writing was a great influence on me, too. He wrote with great passion and clarity, and could make complex issues accessible. An odd mentor was probably Phyllis Richman. I grew up reading and loving her weekly restaurant reviews in The Washington Post Magazine. She was a great writer, concise and clear and very evocative.

7. What is your most prized book possession? A first edition? A gift? Please describe. 

There are many. I prize a crumbling hardcover edition of Alfred Kazin’s A Walker in the City, and last year Shane Brown, the son of the late fiction writer Larry Brown, presented me with a gift of his father’s essay-chapbook “Billy Ray’s Farm,” signed by Brown, which I’ll always treasure.

by Shannon Price on Jan 27, 2017

Dana Johnson’s story collection In the Not Quite Dark reviewed by Arcadia Press. Read the full review here.